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A KING'S RANSOM

With enough story to fill two Cornwells and a Lambdin, Penman’s latest is a massively entertaining work of historical...

In Penman’s (Lionheart, 2011) sequel, Richard the Lionheart, deserted by King Philippe Capet of France, has failed to take Jerusalem from Saladin and now treks homeward.

It’s 1192, the Third Crusade has stalled, and as King Richard lands in Sicily, a simple tale of heading home soon turns complex. Richard is warned that Philippe’s allies are waiting in Marseilles to capture his small party, so he decides to approach Europe via the stormy Adriatic Sea. Shortly after landing, he's captured—in defiance of papal decree—by the Holy Roman Emperor, Heinrich, who wants ransom. Richard is dispatched to the prison castle of Trifels. Weeks later he’s rescued by his ever loyal counselor, Longchamp, reviled by foes as a "misshapen dwarf." Richard returns to Normandy and fights to reclaim land taken by Philippe. Detailed down to the last flagon of wine, Penman’s work will please serious fans of historical fiction. Conferences and confrontations between kings and emperors, dukes and archbishops stretch across Europe from Sicily to Nottingham (Prince John appears but not Robin Hood), every page illustrating prodigious research. Aristocrats, abbots and archbishops come to life in an era when bishops were churchmen, soldiers and politicians. Women conversely were chattel, bargained away in marriage to strengthen loyalties between vassals and liege lords. The most intriguing woman is Eleanor of Aquitaine, Richard’s mother and primary adviser, with a "spine, like the finest swords, forged in fire." Characters rise from the pages—Richard, brave warrior, skilled diplomat; Heinrich, "If he were cut, he’d bleed ice"; the mercenary Mercadier; and multitudes more. Seven years of sieges and battles, confrontations in castles and on horseback are lovingly detailed, marred only by the occasional intrusion of an overly modern perspective. 

With enough story to fill two Cornwells and a Lambdin, Penman’s latest is a massively entertaining work of historical fiction for dedicated fans.

Pub Date: March 4, 2014

ISBN: 978-0-399-15922-0

Page Count: 704

Publisher: Marian Wood/Putnam

Review Posted Online: Feb. 12, 2014

Kirkus Reviews Issue: March 1, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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