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THE RECKONING

Third in Penman's ambitious and admirable trilogy (Here Be Dragons, 1985; Falls the Shadow, 1988) centered on the medieval maelstroms of power, passions, and terror during the reigns of England's King John, weak Henry III, and, here, that ``Hammer of the Scots,'' pounder of the Welsh and any others threatening the supremacy of the Crown—Edward I. This is the story of the deadly reckoning, the final defeat of the descendants and allies of Simon de Montfort (whose rebellion against kingly power is chronicled in the first two novels) as well as the tale of the end of an independent Wales. The focus here, much seen through the eyes of a young squire, is on the tactics of two rulers—Edward I of England and his cousinly kin (a genealogical table—a necessity!—will be included) Llewelyn ab Gruffydd, Prince of Wales—judicious, devoted to his land and people, but not one to underestimate Edward's hunger for absolute English supremacy and his ability to achieve it. Around the two, and back and forth, is a motley group: dangerous-to-loyal kin, rumbling nobles and wily clergy, women in love and in terrible grief. Closest to Llewelyn is Ellen, daughter of Simon de Montfort, whose marriage to him is unconsummated for weary months, serving as she does as Edward's lure in a diplomatic game plan. Also, strangely close, is Llewelyn's brother Davydd, a charming, intelligent Cain, betraying again and again—although love can survive. At the close, Davydd's rash action will precipitate the final battle and the deaths of two last Welsh Princes of Wales. Penman's easy narrative and dialogue (except for a ``mayhap'' here and there, mainly 20th-century all-purpose) move the reader effortlessly from chill prisons to the blaze of festivals, the coziness of women's quarters and in the beauty or punishment of capricious winds and weathers. With a large cast of sturdy characters, a gripping (true) story, and research that supports, rather than impales, good storytelling: a first-rate historical novel, crowning a solid series.

Pub Date: Sept. 16, 1991

ISBN: 0-8050-1014-9

Page Count: 592

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 1991

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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