In her fifth ambitious historical novel (The Reckoning, 1991, etc.)—and the first of a trilogy—Penman once again tells a tale of kings and queens, singular destinies and double-crosses, at an unhurried pace. Happily, though, the author continues to base her narrative on the firm ground of fact—or at least on what is available after scholars have parted the medieval clouds of chroniclers' bias. Here begins the story of England's terrible 18 years from 1135-1153, during which a dead king's daughter, Maude, and her cousin Stephen fight for the crown. Of the 23 children sired by Henry I, son of William the Conqueror, only two were born in wedlock: William, whose drowning opens the novel, and Maude, who's declared the legitimate heir. Upon the king's death, however, Stephen, also a grandchild of William I, snatches the crown. Meanwhile, Maude, who was shipped off at the age of nine to marry a German emperor and who was later forced to marry Geoffrey of Anjou, is a woman with grievances. With her ``right hand''—Robert, Earl of Gloucester- -Maude begins her painful, doomed route to the crown. Castle by castle, there are defeats and brief triumphs on both sides; alliances crumble and mend; innocents are slaughtered and countrysides destroyed; and, as regularly as ticking clocks, messengers leave frothing horses to report (usually) disaster. England rejects Maude (because she's a woman, she thinks), but she fights for the kingship of her son in France, who as Henry II will finish what Maude began—after marriage to powerful, beautiful Eleanor of Aquitaine. Penman inventively animates a large cast; and, given the hints of a drama featuring Henry and Eleanor in the works, a solidly beefy introduction to the first skirmishes of the Plantagenets. (First printing of 75,000; Literary Guild selection; author tour)
Pub Date: April 14, 1995
ISBN: 0-8050-1015-7
Page Count: 648
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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