THE ART OF TAXIDERMY

A German Australian girl discovers a path toward resurrection in the wake of several family deaths.

Lottie feels lonely at school, where peers accuse her of loving Hitler because of her German heritage, and in her family, where the three caring adults in her life—her emotionally absent father, rigorously traditional Aunt Hilda, and ageing, mournful Oma—all struggle under the weight of the family’s multilayered grief. Lottie’s parents and grandparents faced internment camps and isolation during the Second World War and were still working toward recovery when Lottie’s older sister accidentally drowned; afterward, her mother died following a stillbirth. Lottie begins collecting the bodies of dead birds and other creatures, a hobby that horrifies and unsettles those around her. The only understanding soul she finds is an Indigenous boy named Jeffrey; they bond over their shared ostracization, and he helps her find animals for her collection. Lottie and other major characters are white, and the discrimination German Australians faced during the war is thoughtfully addressed. Lottie’s family worries that her new interest betrays morbidity or violence, but as Lottie’s steady, naturalistic verse narration shows, it truly centers on a longing for resurrection, manifested in her dream of becoming a museum taxidermist. The ample backstory is sometimes muddy and slows the pace, but vivid descriptions and Lottie’s confident, complex voice atone for this.

A thoughtful exploration of rebuilding life after death, told in grave and tactile verse.