by Sharon Moalem ‧ RELEASE DATE: April 15, 2014
Readers may occasionally seek less of Moalem’s enthusiasm and ego, but he has a lot of solid information to convey and a...
A compendium of facts and case studies on genes.
Moalem (How Sex Works: Why We Look, Smell, Taste, Feel, and Act the Way We Do, 2009, etc.) examines two main ideas: 1) that your genes are not your destiny—environment and behavior can tune genes up or down or turn other genes on or off in the process of “epigenetic” control; 2) that nobody is “average.” We are all unique in our DNA and how our lives interact with that endowment, so beware of “average daily requirements” and other recommendations. Moalem illustrates these tenets with intriguing stories—e.g., a chef who switched from his meat-heavy, high-fat diet to emphasize fruits and vegetables only to discover that he felt lousy due to the fact that he suffered from hereditary fructose intolerance. Sadly the author relates the story of a little girl given codeine for pain following a tonsillectomy. She had an extra gene coding for the enzyme metabolizing the drug, which resulted in rapid production of excess morphine, which killed her. Moalem describes studies of stress in infant mice (leading them to “give up” when faced with adverse conditions as adults), dietary influences on bee larvae (those given royal jelly become queens; the others, workers) and bullying (one study shows blunted cortisol responses in adulthood). Moalem argues for the usefulness of knowing your genome but is also concerned that the information could be hacked and used against you. He recommends getting detailed medical histories from relatives and explains how even examining your face can be informative about your genetic history. The author covers a wide range of subjects: rare diseases, what’s bad about vitamins and supplements, drugs used in athletic doping, his case of altitude sickness and more.
Readers may occasionally seek less of Moalem’s enthusiasm and ego, but he has a lot of solid information to convey and a stylish way of telling it.Pub Date: April 15, 2014
ISBN: 978-1-4555-4944-3
Page Count: 272
Publisher: Grand Central Publishing
Review Posted Online: March 11, 2014
Kirkus Reviews Issue: April 1, 2014
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BOOK REVIEW
by Sharon Moalem and Jonathan Prince
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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