by Sharon Van Ivan ‧ RELEASE DATE: June 25, 2014
An affecting memoir of dysfunction in a fragmented life that gains clarity and grace in its telling.
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Booze, chaos and depression pass from mother to daughter in this searing memoir.
Van Ivan grew up in the 1950s smoldering in a childhood from hell: dragging her inebriated mother home from bars where she’d passed out; weathering a string of unstable stepfathers; getting yanked from home to home and toted along on drunken transcontinental joy rides; being left alone to take care of her younger brothers when their parents disappeared for days on end. There’s squalor aplenty in this saga but also feisty resilience and even lyricism in van Ivan’s unsparing account of her appalling circumstances. The adults in her life—her beautiful, cruel mother, her charming and mostly absent bookie father—loom mythically large in her child’s-eye perspective, which, depending on unpredictable twists of fortune, veers among apprehension, panic, wary relief and rare carefree idylls. The toll all this takes on her becomes gradually apparent as van Ivan makes her way into adulthood determined not to make her mother’s mistakes but apparently fated to do so anyway. Bouncing between New York and Hollywood in pursuit of a marginal show-business career (she sketches vivid portraits of celebrities she encountered, from a dapper Cary Grant to a crazed John Cassavetes), she develops her own unappeasable yen for alcohol and drugs and embarks on a series of rickety marriages and relationships. Her empty, unmoored life becomes a whirl of hangovers, blackouts and compulsive thoughts of suicide. This is dark material, but van Ivan treats it with an exhilarating irony that avoids bathos. She tells her story with novelistic detail and nuance in a raptly observant prose that’s matter-of-fact but infused with mordant wit and occasional flights of hallucinatory fancy. The result is a gripping read that spins painful experiences into deeply satisfying literature.
An affecting memoir of dysfunction in a fragmented life that gains clarity and grace in its telling.Pub Date: June 25, 2014
ISBN: 978-0983349846
Page Count: 228
Publisher: Cygnet Press
Review Posted Online: July 18, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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