by Sharonda Jones ‧ RELEASE DATE: Sept. 10, 2017
An affecting but idiosyncratic memoir about spiritual discovery.
A woman chronicles her aching journey from loveless loneliness to solace in Christian spirituality.
Debut author Jones was born in Charlotte, North Carolina, and her memories of the first five years of her life are “idyllic.” She was poor, but that deprivation taught her “grateful humility,” and she found consolation in the simple predictability of her youthful life. But that serenity was shattered when her mother left stealthily under cover of night with the author in tow in order to avoid a forthcoming eviction and the wrath of her live-in boyfriend. In what remained of Jones’ youth, she endured a dizzyingly transient life, shiftlessly attending six elementary schools, with her custodians often changing quickly as well. Her mother was an unreliable source of love and assurance, and, as a result, the author experienced painful degrees of “withdrawal and isolation.” At one point, Jones and her mother found themselves on the street, evicted from their home. The author turned to others for affirmation and, in her middle school years, was dangerously promiscuous and brutally raped. She had an abortion at the age of 15. But Jones found “solace” in schoolwork and not only graduated from high school as valedictorian, but was also offered a full scholarship to George Washington University. In addition, she ardently reaffirmed the Christianity of her youth and became a “born-again believer,” a choice she passionately recommends to readers: “Allow God’s love to free you from repeating cycles of hurt, abuse, and unforgiveness before they become fixed in your mind’s picture of yourself. Allow your dreams to help shape who you will become rather than remind you of the hurt you used to live.” Jones’ life has been astonishingly dramatic—at one point, she entered a witness protection program with a boyfriend, a deceitful, violent gangster. She was so addled with an “overwhelming sensation of suffocation”—plagued by loneliness, anxiety, and a lack of self-confidence—that she attempted suicide. Amazingly, she recounts her remarkable story without bitterness or resentment but rather with a profound sense of gratitude for her eventual success and peace of mind. Her depiction of her emotional torment is achingly poignant. Speaking of her inability to win her mother’s attention, she writes: “It was agony. Even as a young child, I wanted to close my eyes to life so the sad loneliness would go away. It was like I was trapped inside a roller coaster car, alone to myself because I felt no one understood me or could rescue me from the isolation I carried.” Her prose can be unwieldy and wooden, but it never lacks lucidity, and its unflinching candor can be powerful. Jones’ story is an unabashedly Christian one—she speaks at length about the comforts she found in God, the temptations of Satan, and the power of prayer—and so her tale is unlikely to appeal to those unmoved by religion. In addition, this is a very personal memoir—the author provides a minutely detailed chronicle of her life, including family photographs—and may not sustain the attention of readers who don’t know her.
An affecting but idiosyncratic memoir about spiritual discovery.Pub Date: Sept. 10, 2017
ISBN: 978-0-9992380-1-1
Page Count: 240
Publisher: Little Phoenixes Foundation
Review Posted Online: Jan. 9, 2020
Review Program: Kirkus Indie
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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