by Sharyl Attkisson ‧ RELEASE DATE: Nov. 4, 2014
A deep, nuanced and indignant indictment of the players who have made investigative journalism harder to conduct, even if...
A respected investigative journalist perceived as having a political chip on her shoulder when she left CBS reveals a deeper story.
With more than 30 years in broadcast journalism, Attkisson has received five Emmys and an Edward R. Murrow Award for her work. She makes the claim that she was as doggedly the scourge of Republican administrations as Democratic ones. But with unrelenting coverage of the flubbed healthcare.gov rollout, Benghazi, the federal Bureau of Alcohol, Tobacco, Firearms and Explosives' Operation Fast and Furious, the flawed gun-running operation, the author argues that the convergence of a thin-skinned Obama administration’s reaction to her work and “skittish,” liberal ideological news managers at CBS made the climate for her investigative work untenable. (She goes so far as to say that Evening News with Scott Pelley executive producer Pat Shevlin “sometimes had a difficult time grasping complex stories.”) Finding it increasingly difficult to get her segments aired as she conceived of them, Attkisson eventually negotiated a departure from the network—but not before a long, mysterious bout of sophisticated hacking of her computer occurred (the author intimates in the book that someone inside the federal government is responsible and her telling of the hacking makes for thrilling reading). The fact that Attkisson joined the staff of the Daily Signal, the news site funded by the Heritage Foundation, after leaving CBS may indicate she’s conservative by nature, but she doesn’t blindly repeat Republican talking points. Instead, she’s more concerned that politicians on both sides of the aisle often forget that they serve everyday citizens rather than the rich and powerful. “[The politicians] think they own your tax dollars,” she writes. “They think they own the information their agencies gather on the public’s behalf. They think they’re entitled to keep that information from the rest of us and…they’re bloody incensed that we want it.”
A deep, nuanced and indignant indictment of the players who have made investigative journalism harder to conduct, even if those actors are other journalists.Pub Date: Nov. 4, 2014
ISBN: 978-0-06-232284-5
Page Count: 432
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
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