Unlike McCrumb’s Ballad tales, which dramatized the convergence of multiple generations, this patchwork daringly leaves each...
A sprawling, multilayered tale: Deep, deep under the surface of Union and Confederate ideology teem the Appalachian folk for whom “the wrong side was to take a side” in the War Between the States.
Ever since Appomattox, a company of spectral soldiers has ridden the woods, inviting the few people who can see them to join their ranks. As an encampment of Civil War re-enactors gathers in the Tennessee hills and Wake County Sheriff Spencer Arrowood seeks information on the ancestor who was the very last casualty of the war, McCrumb, in the prismatic manner of her Ballad series (The Songcatcher, 2001, etc.), brings alive a time in which nearly every family had relatives fighting on both Union and Confederate sides and peoples it with figures drawn from history. When Keith Blalock, a Union sympathizer surrounded by secessionists, is drafted into the Confederate army, he’s followed by his wife Malinda, who disguises herself as a boy to watch over him until he sneaks off to become a pilot for strangers fleeing north—and an avenging fugitive from his neighbors and the law. At the other end of the scale, not even the best-connected citizens feel masters of the war’s political realities. Zebulon Vance, a Smokey Mountain Gatsby, rises to the state legislature and the US Congress before the war raises him to military command and then strands him in the North Carolina governor’s mansion, where his ritual promises to do the best he can for myriad petitioners ring hollow even in his own ears. McCrumb counterpoints these stories of the personal side of war with the contemporary confusion of the re-enactors and the story of Tom Gentry, who’s come to the mountains to die.
Unlike McCrumb’s Ballad tales, which dramatized the convergence of multiple generations, this patchwork daringly leaves each story suspended, linked only by the inconclusive verdicts of history and the rush of ghost riders bound for glory.Pub Date: July 14, 2003
ISBN: 0-525-94718-3
Page Count: 352
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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