A family tale that skillfully brings the magic of the Harlem Renaissance into the present.
A busy woman’s visit to an estranged relative reveals an unexpected family connection to a famous poet in this debut novel.
Tomorrow night, Carrie Stevens will be on the red-eye to Seattle, where her husband, Bill, has just accepted a new job. This afternoon, she needs to meet with her lawyer to finalize the sale of their condo. But first, she has to go to Harlem to keep a promise she made to her recently deceased father. Her dad’s cousin Ella is being thrown out of her apartment—the entire building is about to be demolished—and Carrie needs to get her into an assisted living facility. “She has a gift for you,” her father’s final note reads. “It’s something of value that I’m ashamed that I couldn’t give you—and too afraid to give you myself. Carrie, I want this to make it right. I want you to be happy.” Carrie only met Ella as a baby. Carrie’s mother thought Ella, a cabaret dancer who lived for years in Paris, would be a bad influence. When Carrie arrives, the elderly Ella immediately insists that she is not moving anywhere. Ella turns out to be full of surprises. She has severe, mysterious facial scars, for one. She has a man named Jack living there with her, for another. Perhaps craziest of all, she has lots of pictures and books by poet Langston Hughes, who it turns out was her cousin—and Carrie’s father’s cousin as well. Langston and Carrie’s dad didn’t get along, unfortunately. As Carrie desperately tries to pack some of the woman’s things into the bags she brought, Ella offers hints and anecdotes about her past—and draws a few out of her visitor as well. But what is this mysterious gift that Ella supposedly has? Well, in Ella’s words, Carrie will have to earn it.
Skeeter’s prose is as smooth and confident as Ella herself: “I saw that Jack’s cane was on the sofa and he was leaning on Ella. They were dancing jerkily, as fast as their old legs would let them. Actually, they kept up with the beat very well. In that living room with its many decades-old artifacts, they could have been dancing in Paris or Harlem in their heyday.” The novel cleverly mourns the lost world of Jazz Age Harlem, as represented by an apartment full of artifacts that is literally about to be knocked down. The supporting characters—including Hughes, a ghost who casts his iconic shadow over all the rest—are well drawn, and Carrie is a relatable and likable protagonist. The roles that Carrie and Ella play in regard to each other—Carrie wanted to be a dancer herself, and Ella is essentially a fairy godmother—are perhaps a bit too neat, and readers will quickly surmise where the story is headed. That said, the author is a capable writer, and the world that she creates is evocative and amusing enough for readers to happily linger in for the book’s breezy, 206-page length.
A family tale that skillfully brings the magic of the Harlem Renaissance into the present.Pub Date: Nov. 12, 2019
ISBN: 978-1-950584-19-2
Page Count: 206
Publisher: Green Writers Press
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: May 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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