A family tale that skillfully brings the magic of the Harlem Renaissance into the present.
A busy woman’s visit to an estranged relative reveals an unexpected family connection to a famous poet in this debut novel.
Tomorrow night, Carrie Stevens will be on the red-eye to Seattle, where her husband, Bill, has just accepted a new job. This afternoon, she needs to meet with her lawyer to finalize the sale of their condo. But first, she has to go to Harlem to keep a promise she made to her recently deceased father. Her dad’s cousin Ella is being thrown out of her apartment—the entire building is about to be demolished—and Carrie needs to get her into an assisted living facility. “She has a gift for you,” her father’s final note reads. “It’s something of value that I’m ashamed that I couldn’t give you—and too afraid to give you myself. Carrie, I want this to make it right. I want you to be happy.” Carrie only met Ella as a baby. Carrie’s mother thought Ella, a cabaret dancer who lived for years in Paris, would be a bad influence. When Carrie arrives, the elderly Ella immediately insists that she is not moving anywhere. Ella turns out to be full of surprises. She has severe, mysterious facial scars, for one. She has a man named Jack living there with her, for another. Perhaps craziest of all, she has lots of pictures and books by poet Langston Hughes, who it turns out was her cousin—and Carrie’s father’s cousin as well. Langston and Carrie’s dad didn’t get along, unfortunately. As Carrie desperately tries to pack some of the woman’s things into the bags she brought, Ella offers hints and anecdotes about her past—and draws a few out of her visitor as well. But what is this mysterious gift that Ella supposedly has? Well, in Ella’s words, Carrie will have to earn it.
Skeeter’s prose is as smooth and confident as Ella herself: “I saw that Jack’s cane was on the sofa and he was leaning on Ella. They were dancing jerkily, as fast as their old legs would let them. Actually, they kept up with the beat very well. In that living room with its many decades-old artifacts, they could have been dancing in Paris or Harlem in their heyday.” The novel cleverly mourns the lost world of Jazz Age Harlem, as represented by an apartment full of artifacts that is literally about to be knocked down. The supporting characters—including Hughes, a ghost who casts his iconic shadow over all the rest—are well drawn, and Carrie is a relatable and likable protagonist. The roles that Carrie and Ella play in regard to each other—Carrie wanted to be a dancer herself, and Ella is essentially a fairy godmother—are perhaps a bit too neat, and readers will quickly surmise where the story is headed. That said, the author is a capable writer, and the world that she creates is evocative and amusing enough for readers to happily linger in for the book’s breezy, 206-page length.
A family tale that skillfully brings the magic of the Harlem Renaissance into the present.Pub Date: Nov. 12, 2019
ISBN: 978-1-950584-19-2
Page Count: 206
Publisher: Green Writers Press
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: May 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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