The strong offering of a bittersweet new folk tale with striking illustrations.
Debut writer Brennan and illustrator Meganck create a touching folk story about the transformative powers of love.
Despite his talents, a skilled woodsman is poor because his son is often very sick, and the family must spend all the woodsman’s earnings on medicine. To solve their financial problems, the woodsman travels into the center of the forest to find and cut down a heart tree, a rare tree that produces expensive wood. When the woodsman recognizes that the heart tree is the home of a dryad, he realizes he cannot cut it down; instead, they agree that the woodsman can carve the dryad’s tree as living art. When the woodsman returns home, his son insists that the woodsman carve the likeness of the dryad and that, despite his illness, he come along on the journey to the heart tree. When they arrive at the heart tree, the dryad, who doesn’t have the energy to show herself, is surprised to discover that the son can see her without effort. The son works for his father, describing the dryad’s beauty, all the while falling in love with her. As the woodsman’s work draws to completion, the son weakens and dies—but when his father buries him, a heart tree grows over the grave, and the son and the dryad are united. Brennan’s prose is by turns simple and poetic: “When they arrived at the glade and stood before the tree, the Son saw framed within the Heart Tree a glowing woman beautiful to behold, with leaves and flowers woven into her hair. She looked at him with acorn-brown eyes that were streaked with green, blue, and purple.” Though the word count is high for a picture book, grade school readers will be drawn in by the fairy-tale qualities of the writing and Meganck’s beautiful illustrations, with their soft palette and Polar Express–like allure. Meganck deftly portrays the connection between the dryad and her tree by showing parts of the dryad as translucent, and her depiction of the dryad’s grief at the death of the son might summon tears.
The strong offering of a bittersweet new folk tale with striking illustrations.Pub Date: March 14, 2013
ISBN: 978-1939792006
Page Count: 48
Publisher: Shaun Brennan
Review Posted Online: Oct. 31, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Review Program: Kirkus Indie
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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