by Shaun Tan ; illustrated by Shaun Tan ‧ RELEASE DATE: Oct. 11, 2016
These inscrutable, unsettling sculptures demand that viewers connect art and tale, examining their own reactions to the...
Tan’s latest book is a portable gallery: each spread features an artfully illuminated sculptural scene facing a paragraph-length “explanation”—an excerpt from one of 75 Grimm fairy tales.
Tan created 50 sculptures for Philip Pullman’s Grimms Märchen (2013), a 512-page collection of familiar and lesser-known tales, available only in German. To present his menagerie to English speakers, Tan here adds more stories and art, eliciting text and an introduction from scholar Jack Zipes. Lean, powerful dialogue and descriptions accompany pieces with complex patinas, textured settings, and provocative subjects acting out their vengeance, charity, jealousy, and love. The objects, inspired by Inuit and pre-Columbian figurines, are sculpted from clay over papier-mâché and finished with acrylics, oxidized metal powder, and shoe polish. An evil queen is blood red, all sharp edges. Cinderella’s gilded face is framed claustrophobically by a rough, conical hearth. The titular story features an older brother about to kill his sibling to win their father’s favor. Readers must turn to the summaries at the back of the book to understand this entry (and others). While some will find this format useful, others will yearn for a complete narrative in context; Tan encourages readers to use this alongside Zipes’ The Complete Fairy Tales (1987).
These inscrutable, unsettling sculptures demand that viewers connect art and tale, examining their own reactions to the darkest impulses and glimpses of light within the book—and themselves. (foreword, introduction, bibliography, afterword, annotated index) (Fairy tales. 12 & up)Pub Date: Oct. 11, 2016
ISBN: 978-0-545-94612-4
Page Count: 192
Publisher: Levine/Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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by Kelly Link ; illustrated by Shaun Tan
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Stephanie Garber ‧ RELEASE DATE: Sept. 28, 2021
A lushly written story with an intriguing heart.
After praying to a Fate for help, Evangeline discovers the dangerous world of magic.
When her father passes away, Evangeline is left with her cold stepmother and kind but distant stepsister, Marisol. Despite inheriting a steady trust in magic, belief in her late mother’s homeland of the mystical North (where fantastical creatures live), and philosophy of hope for the future, her dreams are dashed when Luc, her love, pledges to marry Marisol instead. Evangeline desperately prays to the Prince of Hearts, a dangerous and fickle Fate famed for his heart that is waiting to be revived by his one true love—and his potentially lethal kisses. The bargain they strike sends her on a dark and magical journey throughout the land. The writing style fluctuates from clever and original to overly verbose and often confusing in its jumble of senses. While the pervasive magic and concept of the Fates as a religious system add interest, other fantasy elements are haphazardly incorporated without enough time devoted to building a cohesive world. However, the themes of love, the power of story, family influence, and holding onto belief are well rounded and add depth. The plot contains welcome surprises, and the large cast piques curiosity; readers will wish more time was spent getting to know them. Evangeline has rose-gold hair and, like other main characters, reads as White; there is diversity among the fantasy races in this world.
A lushly written story with an intriguing heart. (map) (Fantasy. 12-16)Pub Date: Sept. 28, 2021
ISBN: 978-1-250-26839-6
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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