by Shauntay Grant ; illustrated by Eva Campbell ‧ RELEASE DATE: Sept. 4, 2018
A loving tribute to a history that should not be forgotten.
Africville, a historic black community that was located on the shores of Nova Scotia, is described from a child’s perspective in this nostalgic picture book.
“Take me to the end of the ocean,” begins this homage. The artwork, in brightly colored oil and pastel on canvas, combines past and present. The opening spread shows a modern-day black girl arriving at the shore, “where waves come to rest and hug the harbor stones.” On shore, family, childhood, and community scenes from historic Africville await her. Some details are easy to imagine, like going to “watch the sea bring us all its treasures” and hearing “stories shared all around me.” Others are specific to Africville but evocative of childhood adventure, like meeting at the Caterpillar Tree and “rafting down at Tibby’s Pond.” Still other details spark curiosity, like blueberry duff and “where my great-grandmother’s name is marked in stone.” On the final spread, the modern child enjoys an ice cream cone at a reunion, facing out at readers. The endmatter describes a community that was vibrant but neglected, then demolished in the 1960s. The annual reunions initiated in 1983 and the building of a museum echo the note of optimism on the final spread: “where memories turn to dreams, and dreams turn to hope, and hope never ends.” The writing is spare but emotional, and the art brings the community to life.
A loving tribute to a history that should not be forgotten. (bibliography) (Picture book. 4-7)Pub Date: Sept. 4, 2018
ISBN: 978-1-77306-043-9
Page Count: 32
Publisher: Groundwood
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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