Put your mitts together for this ``sock'' biography of one of the last of the great entertainers. Few entertainers have inspired such irrational excesses of bile and adoration as actor, director, occasional songster, and Muscular Dystrophy Association pitchman Jerry Lewis. On one hand, he is reviled as a crude, mean-spirited, one-trick putz. Yet in Europe he is feted as a misunderstood comic genius; the French even went so far as to make him a commander of their Legion of Honor. Levy, a film critic for The Oregonian, convincingly demonstrates that both sides are right. Like a dark variety show, Jerry certainly offers something for everyone to hate. He has lived a breathtaking Hollywood excess (traveling everywhere with 75 pieces of luggage, never wearing the same socks twice), and some of his 50-plus films are embarrassingly bad—mawkish, sentimental, often wildly unfunny. But he also has created a number of comic masterpieces, most notably The Nutty Professor and The Patsy. Even his worst films have their moments of redeeming comic brilliance. No wonder then that Jerry has influenced the very shape of modern comedy. Comedians from Robin Williams to Woody Allen to that vile epigone Jim Carrey have drawn inspiration from the free-form id- driven comic style Lewis created. He began his career in the dying days of vaudeville, playing in small venues to little notice until a chance double-bill with the almost equally unsuccessful Dean Martin. By his late 20s, despite a nasty split with Martin, Lewis was the most popular, best-paid entertainer in America. Twenty years later, he was a ridiculed has-been. Marred only by a lack of a bibliography and footnotes, this scrupulous, skillful, incessantly fair account should go a long way toward restoring Lewis to his proper place in the entertainment firmament. (32 pages b&w photos, not seen)
Pub Date: April 1, 1996
ISBN: 0-312-13248-4
Page Count: 528
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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