A crafty, page-turning spin on chronicling Black family history.
An intriguing hybrid of historical romance and fantasy suggests that going back in time may be one way to weed out generational trauma.
“My family tree has poisoned roots,” Cecily Bridge-Davis announces at the start of this haunting saga about the “curse” of time travel. It is May 1964 and Cecily, an African American professor of history, has come into possession of her father’s 65-acre patch of Virginia farmland. When she leaves her Tennessee home to see what’s there, she finds an empty cabin, a spool made from a maple tree, and a family Bible with a yellowed flyleaf listing the names and birth dates of every Bridge family member born on the farm from the 1760s to the 1920s. She also hears from an elderly local about a long-ago murder-kidnapping implicating one of her ancestors. Which turns out to be slightly less shocking than discovering the reason why some of those ancestors vanished for decades: One Bridge offspring in each generation is somehow transported back in time. She also finds a map with locations of strange containers along with a list of “Bridge Family Rules” for time travel: “Never interfere with past events.” “Always carry your freedom papers.” “Search for the survival packs in the orchard.” “Do not speak to strangers unless absolutely necessary.” Cecily presses her inquiry into the family’s temporally peripatetic history all the way back to the 18th century and such precursors as Luke, whose tumble through time takes him from freedom to slavery and eventually into the Continental Army, where he undergoes the travails of Valley Forge. After her forays in the library for more information, Cecily herself is compelled to leave 1964 for 1911, where she takes a different identity and eventually gets a teaching job in circa 1924 Washington, D.C., where she tells one of her students, a young woman named Amelia Bridge, that they’re related and that “Millie” must make the most important time jaunt of their shared family history. Sometimes all this gets even more complicated than it reads here. But Madison shows considerable skill and narrative control. To her credit, it’s hard not to be reminded of Octavia Butler’s Kindred, as well as The Time Traveler’s Wife and some of Ray Bradbury’s time-displacement stories.
A crafty, page-turning spin on chronicling Black family history.Pub Date: Sept. 3, 2024
ISBN: 9780063290594
Page Count: 448
Publisher: Amistad/HarperCollins
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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