An uneven offering that totters between empowerment and stereotypes
Art class for a group of iconic superhero girls goes awry when their creations come alive.
In their fifth brightly depicted episodic adventure, the heroines of Super Hero High—namely the teenage Supergirl, Wonder Woman, Harley Quinn, and Katana—are working on their graphic-novel art projects for their teacher, meek bohemian June Moone. The girls are warned to stay away from Ms. Moone’s paints, but troublemaker Harley cannot help herself. Before long, the girls’ drawings have come to life as tiny, evil doppelgängers. Much as in the previous volumes, teamwork is emphasized in order to save the day. While the plot is largely action-based and the feel tends toward predictable and cloying, Fontana has woven in some redeeming scenes. A girl of color who uses a wheelchair helps the team save the day, and later, Harley, Wonder Woman, and Supergirl all openly discuss going to therapy and the benefits they receive from talking out their problems. The art, rendered by the trifecta of DiChiara, Garbowska, and Andolfo, is vibrant and kinetic, employing an eye-catching mix of neatly paneled contemporary styles. Although some side characters are girls of color and/or disabled, the depictions of the spandex-clad heroines themselves—mostly white and wasp-waisted, with almond-shaped eyes, pouty mouths, and full manes of flowing hair—keep this series rooted in the old sexualized tropes.
An uneven offering that totters between empowerment and stereotypes . (Graphic fantasy. 6-10)Pub Date: Aug. 7, 2018
ISBN: 978-1-4012-7483-2
Page Count: 128
Publisher: DC Comics
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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