A beautifully rendered story about courage in the face of turmoil.
All Leila wants is for her family to go back to normal.
But Mama’s wigs and scarves are as present as the sickness that surrounds her. Worse, nothing Leila does seems to make it go away, kind of like the sadness and anxiety that sit like an ache in her stomach. But Dad has an idea “to make some happy”—by making a big mess and dancing around the room—and Leila finds new ways of dealing with her jumbled-up feelings. Exploring the complexities that children grapple with when faced with illness in the family, this picture book is ultimately about finding little pockets of happiness. The book could help create a space to talk about illness with children while offering hope in the form of togetherness and empathy. Although the metaphors in the book feel unwieldy at times, the art more than compensates for it. Patterns twist and turn alongside Leila’s feelings, weaving a stunning tapestry that finally blossoms onto the pages as Leila finds small moments of joy and understanding amid sadness. The use of color provides subtle cues to the transformation that Leila undergoes. In an author’s note, Sheth states that she wrote the book while going through chemotherapy; in an illustrator’s note, Le explains that with each book, she works digitally with traditional media and photography and attempts to “use fabrics related to the author’s heritage.” Leila and her family are brown-skinned. (This book was reviewed digitally.)
A beautifully rendered story about courage in the face of turmoil. (Picture book. 5-8)Pub Date: Sept. 20, 2022
ISBN: 978-1-64686-622-9
Page Count: 32
Publisher: Barefoot Books
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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