Scholarly and poignant account of conditions in Russia's collective farms in the 30's. In an attempt to obtain ever higher grain quotas and stamp out private enterprise, Stalin forced millions of peasants into the collective farm (kolkhoz) system—with catastrophic effects in both human and economic terms. Drawing on recently opened Soviet archives, including reports of the secret police, and her own vast reading of the newspapers of rural Russia, Fitzpatrick pieces together the picture of how collectivization worked in the lives of local communities and individuals. We learn the various ways in which people reacted to the closing of the churches and the liquidation of the more prosperous peasant class (the kulaks), how peasants were cajoled into the kolkhoz and the effects of expulsion from it, how the officials behaved, how the roles of women varied, how local handicrafts came to be replaced by factory products, and much more. We meet heroes of Soviet labor (udarniks and stakhaovites) like Sasha Angelina, who promised Stalin she would plough 1,200 hectares with her tractor, and combine operator Maria Demchenko, whose photograph with Stalin in 1936 entitled ``The Flowering Soviet Ukraine'' became one of the notable icons of the period. The author describes the almost religious cult of Stalin and the idealized ``Potemkin Village,'' but she shows that in reality the peasants hated Stalin and considered collectivization a second serfdom: those who could not depart for the cities hoped for deliverance by a counter-revolution or even foreign invasion. Fitzpatrick makes her account vivid with quotations of first-person experiences, but she resists the temptation to oversimplify the issues. A glossary explains Soviet terms and acronyms. Highly detailed—a must for students of Soviet, or social, history.
Pub Date: Feb. 1, 1994
ISBN: 0-19-506982-X
Page Count: 375
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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