by Sheila Heti ; Heidi Julavits ; Leanne Shapton ‧ RELEASE DATE: Sept. 4, 2014
“What are my values?” one woman asks. “What do I want to express?” Those questions inform the multitude of eclectic...
A quirky anthology exploring the meaning of clothes.
Forget Anna Wintour, Tim Gunn and the fashion mavens on What Not to Wear. Believer editor Heti (How Should a Person Be?: A Novel from Life, 2012, etc.), Believer founding editor Julavits (Writing/Columbia Univ.; The Vanishers, 2013, etc.) and Shapton (Swimming Studies, 2012, etc.) are interested not in what women wear, but why. To that end, they sent “an ever-evolving” survey to hundreds of women, asking a variety of questions—e.g., “What’s your process of getting dressed in the morning?”; “Do you ever wish you were a man or could dress like a man or had a man’s body?”; “How and when do you shop for clothes?” Respondents include artists, writers, scholars, critics, nurses and doctors, mothers and grandmothers, actors, businesswomen, athletes and others from all over the world. Some are famous: New York Times fashion critic Alexandra Jacobs, restaurant critic Ruth Reichl, actor Molly Ringwald and novelist Kiran Desai, who reveals the time-consuming process of wearing a sari. Some flaunt attention-getting fashion choices: wearing silver Doc Martens; coloring their hair bright blue; buying a “florescent and hooker-ish” dress; altering a winter coat by trimming it with lace. One woman removes all tags and labels. “In some superstitious way,” she writes, “I feel like this allows the clothes to become more fully themselves….” Another uses clothes “as a way to cast a spell over myself, so that I might feel special.” Poems, interviews, pieces that read like diary or journal entries—all these responses help the editors fulfill their aims: to liberate readers from the idea that women have to fit a certain image or ideal, to show the connection between dress and “habits of mind,” and to offer readers “a new way of interpreting their outsides.”
“What are my values?” one woman asks. “What do I want to express?” Those questions inform the multitude of eclectic responses gathered in this delightfully idiosyncratic book.Pub Date: Sept. 4, 2014
ISBN: 978-0-399-16656-3
Page Count: 512
Publisher: Blue Rider Press
Review Posted Online: June 17, 2014
Kirkus Reviews Issue: July 1, 2014
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by Sheila Heti
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edited by Sheila Heti
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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