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CHILDREN OF PITHIVIERS

Romantic-suspense fiction, however worthy Kohler’s aims, that isn’t strong enough to support its weighty objective.

With only medium success, the children’s concentration camp at Pithiviers is the inspiration for this indictment of French collaboration with the Germans in WWII.

The story is told by a South African woman living in the US who’s haunted by a sentence she found written in the margins of someone else’s book years ago: “Mother said everything would be all right; nothing seriously wrong can happen in France: Is it not the country of the Rights of Man?” In 1959, 17-year-old Deidre, or Dodo, was an innocent young girl studying at the Sorbonne when she became pregnant by her young French boyfriend. After an abortion, her sister and French brother-in-law pack her off to the country to recover. At the château, she meets and quickly becomes enchanted by her ageless hosts, the de C’s, first the Madame and then the Monsieur, who bear a striking resemblance to each another, inbred aristocrats that they are. Meanwhile, Dodo discovers a cache of old books (“the Rights of Man”) and magazines in the attic; she writes to her mother but receives no reply; her sister’s husband rebukes her for complaining about the aristocratic de C’s; she dreams of a drowning girl; and the squat Spanish cook, Dolores, slips into her bedroom to tell tales about her hosts. Young, naïve Dodo is isolated, with little money. A Frenchman gets her pregnant; and the aborting physician crudely takes advantage of her during the examination. And though she discovers that the cache belonged to two young Jewish girls who hid in the attic, she can’t decipher the messages, the warnings, found in the books. Finally, after a heady courtship by the Madame, who woos her with presents and a fancy party (bought with her mother’s money, unknown to her), she becomes easy prey for the libidinous Monsieur. Inevitably, death ensues.

Romantic-suspense fiction, however worthy Kohler’s aims, that isn’t strong enough to support its weighty objective.

Pub Date: June 1, 2001

ISBN: 1-58195-032-2

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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NORMAL PEOPLE

Absolutely enthralling. Read it.

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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THE BLUEST EYE

"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.

Pub Date: Oct. 29, 1970

ISBN: 0375411550

Page Count: -

Publisher: Holt Rinehart & Winston

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Oct. 1, 1970

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