A well-wrought, classically inspired riches-to-rags tale.
A historical novel, set largely in upstate New York’s Adirondack Park, about the troubled lives of real-life real estate investor William West Durant and his embittered sister, Ella.
Myers (Castles in the Air, 2016, etc.) continues the story of the Durants in this third book in her Durant Family Saga trilogy. Thomas C. Durant was a railroad magnate who lost a fortune and died under a cloud—and intestate—in 1885. His son, William, assumed control of the family’s remaining assets and began new real estate and construction ventures in the Adirondacks. His sibling, Ella, who was somewhat of a bohemian, always felt financially shortchanged and ill-treated by her older brother—which caused litigation between the two. In the novel, told in the form of reminiscences of various characters, readers follow the arc of William’s career from his early days as a high roller (starting in 1892) to his impoverished life as an old man (circa 1931). In the end, not only has William lost all of his own wealth, but also money and land that Ella won in her final lawsuit—so they both end up losing. However, as William wrote to a friend in 1932, “I am poor, but I am happy, what more can most of us expect?” Myers writes with skill and has chosen well in deeply researching the Durant saga, which remarkably parallels Greek tragedy. It’s a truly engrossing story, and Myers does it justice. William is effectively portrayed as being more clueless than anything else, as he honestly doesn’t understand that he is treating his sister—and his wife, for that matter—very badly. He’s also obsessed with his camps in the Adirondacks, giving readers the impression that he sees the whole park as his personal fiefdom. That’s likely the reason why Myers uses the very clever gambit of telling the story from the perspective of William in his old age, when he’s “calm of mind, all passion spent,” being interviewed by wealthy Harold Hochschild, who now owns William’s old camp Eagle’s Nest. To compare William to the aged Oedipus is not so great a stretch.
A well-wrought, classically inspired riches-to-rags tale.Pub Date: Aug. 11, 2017
ISBN: 978-1-5487-3239-4
Page Count: 260
Publisher: CreateSpace
Review Posted Online: Dec. 16, 2019
Kirkus Reviews Issue: Feb. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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