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DANCING AT CIRO’S

A FAMILY’S LOVE, LOSS, AND SCANDAL ON THE SUNSET STRIP

Equal parts emotional tissue-party and shrewd cultural history.

Poignant memoir of a not-so-typical New York Jewish family’s experiences in the midcentury Hollywood demimonde.

Glamour contributing editor Weller (Saint of Circumstance, 1997, etc.) utilizes solid, often elegant but occasionally overwrought prose to tell her unusual childhood story, which improbably combines Hollywood insider glitter with the slow-motion devastation of illness, infidelity, abandonment, and humiliation. She constructs an admirable historical backdrop in depicting the trajectories of her mother, ambitious entertainment reporter Helen Hover, and Helen’s brother Herman, who flourished as a Manhattan nightclub promoter during Prohibition, then moved to California in 1936 with the family, including Helen and her enigmatic husband Danny Weller, a prideful, sickly man, determined to become a pioneering neurosurgeon at a time when they were considered the cowboys of medicine. This was the heyday of high-class Sunset Strip nightclubs like the Trocadero, Mocambo, and Ciro’s; after WWII, Herman purchased Ciro’s from competitor Billy Wilkerson and for the next decade worked ceaselessly to maintain it as Hollywood’s top spot. “It was the chemistry between the glitterati and the proletariat that made a good club work,” he realized, and he pampered Hollywood’s A-list (from Sinatra and Monroe to Bogart and Lana Turner) and recruited the era’s top talent, boosting the careers of Martin & Lewis and Sammy Davis Jr., among others. The author seductively renders Ciro's glory years, resonant with the transience of glamour and fame. By 1958, the IRS was pursuing Herman, but the last straw was discovering that he’d been cuckolded by his embittered brother-in-law. He violently assaulted Dr. Weller in front of Weller’s daughters, and the final section here follows Herman’s fall and the Weller family's disintegration: Helen has a breakdown; Danny cruelly cuts off Sheila, who depicts herself as “Daddy-dumped, selfish-healthy-big-sister-of-polio-victim, phony-school-spirited, taunted-by-the-boy-across-the-street-who-started-out-with-a-crush-on-me, tantrum-throwing self.” This section is unfocused and maudlin, but the narrative mostly maintains an energy and comprehension that sheds fresh light on the fragile beauty of postwar Hollywood and the fabulous Sunset Strip.

Equal parts emotional tissue-party and shrewd cultural history.

Pub Date: March 1, 2003

ISBN: 0-312-24176-3

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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