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THE CIVIL WAR

A NARRATIVE--FORT SUMTER TO PERRYVILLE, VOL. 1

The first of three volumes- and this one five years in the writing- this bids fair to be a definitive history within the limitations. Shelby Foote has apparently set himself. A novelist, he has viewed the facts exhaustively, through primary sources, contemporary writing and the recreation of the most gifted of the historians and biographers. Quite evidently, it is war as it was manipulated by the men in key positions, for almost consistently one sees action as he sees it through the generals and their lieutenants. There is little here of cause and effect. The telling starts with the two political and ideological leaders:-Jefferson Davis and Abraham Lincoln; and with the contretemps which precipitated the firing on Fort Sumter. Nothing is here of the years of tension and the factors that went into the making of war. Nor- throughout the crowded first two years- is there anything more than passing mention of the repercussions on the citizens above and below the line. He has taken the men; he has followed the tortuous pattern of war, throughout its sprawling lines, war on land and war on water; he has recounted the battles, distilling the essence by the novelist's creative processes, seeking, he says, as a novelist the same truth sought by the historian. Because of these limitations of substance and handling, this cannot be a definitive history without statement of the boundaries. Furthermore, while one concedes an extraordinary objectivity in view of his background as a Mississippian, his gift for respecting the opponent worthy of his steel, he is unfortunately all too ready, it seems, to accept and lay stress on such rumors and canards as, for instance, Grant's alcoholism and anti-Semitism, and some of the less palatable aspects of Lincoln's personality and shortcomings. But he cuts some of the glamour away from some of the Southern heroes, too. This first volume, ending as it does shortly after the Emancipation Proclamation, leaves the reader aware that while history writes the South's defeat, the first two years wrote a balance of victory — with the writing on the wall only faintly decipherable.

Pub Date: Nov. 14, 1958

ISBN: 0394746236

Page Count: 866

Publisher: Random House

Review Posted Online: Oct. 13, 2011

Kirkus Reviews Issue: Nov. 1, 1958

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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