An overstuffed but absorbing novel about the price of fame.
A troubled rock star struggles with the double whammy of drug addiction and cancer in Knudsen’s novel.
On the night of what’s supposed to be her last show ever, struggling musician Sky Black runs into a 17-year-old boy named Sam behind Vancouver’s Imperial Theatre, in an alleyway home to “the destitute and addicted.” Though she already has plenty to deal with—an agonizing pain in her throat, the impending end of her career, and a heartbreak she can’t shake—Sky, three years into addiction recovery herself, sees something in Sam and invites him to watch the show. As it turns out, Sam isn’t the only unexpected guest that night: Rod Birk, an executive from Space Monkey Records, stops by and is immediately captivated by Sky’s performance. Birk rushes to sign her to the label, injecting new life into her career. Sam, who happens to be a talented guitarist, joins Sky’s band and is swept up in the excitement. Sky even begins to reconnect with Joe, her ex-boyfriend and former bandmate. But just as everything seems to be falling into place for her, she’s diagnosed with laryngeal cancer. Against medical advice, she refuses treatment in order to keep performing. The pain and stress of her condition, coupled with the ceaseless demands of her newfound stardom, push her ever closer to her previous excesses. Knudsen’s novel is tense and unrelenting; the author masterfully creates an immersive, claustrophobic atmosphere as Sky’s health, relationships, and sense of self become increasingly strained. Sky remains a likable, if flawed, protagonist throughout, and readers will find themselves rooting for her even as she makes questionable decisions. Though the story is engaging, however, it’s not particularly innovative—the plot is fairly formulaic, and the supporting characters, namely Sam and Joe, are underdeveloped. In trying to incorporate both of their storylines, Knudsen falls short in affording either ample attention, lessening their emotional impact.
An overstuffed but absorbing novel about the price of fame.Pub Date: July 11, 2024
ISBN: 9781068850523
Page Count: 326
Publisher: N/A
Review Posted Online: June 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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