Carefully composed, heartbreakingly poignant, and memorable.
Raebeck’s coming-of-age novel follows a teenage boy through family tragedy and social conflict in 1980s Long Island.
“My mother died in May 1982, the end of my sophomore year in high school…” Ricky Hawkins tells us in the opening lines of this melancholy novel. Her death is the catalyst for the gradual dissolution of an already fragile family. Ricky’s father, Harold, moves the family back to their summer house in Amagansett, a narrow strip of land between bay and ocean on Long Island’s East End. It was their original home, where Ricky and his older sister, Lonnie, and younger sister, Tessy, were raised until his father’s job took the family up-island. Too quickly, Harold brings a new woman into the siblings’ lives. Lonnie rebels and runs off to Florida with her boyfriend, the fretful and anxious Tessy turns inward, and Ricky finds escape on the pickup basketball court behind the Amagansett grade school. This is where Ricky, who is White, becomes friends with Lance Williams, the Black star of the East Hampton high school basketball team. It is a relationship that will bring him into the middle of the tensions between the local Whites and Blacks. The narrative ambles at a gentle pace, leading to a moment of searing high drama. The author captures the particulars of time and place through evocative prose and succinct dialogue that reveals much in few words (“One of the first warm days, the sky a mild blue with huge puffs of cloud, I found Tessy leaning on one hand, pulling weeds with the other, one knee poking her white dress into a small tent”). As Ricky rides his bike from hamlet to hamlet, the author treats readers to beautifully expansive vistas that will change dramatically in the coming years (Amagansett still has its potato fields, and the large, elite chain stores have not yet invaded East Hampton’s Main Street). Through Ricky’s friendship with a group of local fishermen, the reader bears witness to the imminent demise of that industry and to the desperation and resignation among those who called the East End home.
Carefully composed, heartbreakingly poignant, and memorable.Pub Date: March 14, 2023
ISBN: 9781662936821
Page Count: 188
Publisher: Gatekeeper Press
Review Posted Online: May 4, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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