by Sheldon Whitehouse with Jennifer Mueller ‧ RELEASE DATE: Oct. 18, 2022
A maddening indictment of a corrupt and corrupted judiciary.
A damning investigation of dark money by a senior member of the Senate Judiciary Committee.
The scheme of Sen. Whitehouse’s title concerns “regulatory capture,” in which a business infiltrates a government agency to undo any efforts to make that business obey the law. “A classic response by regulated entities has been to try to ‘capture’ the agency meant to be overseeing them,” he writes, and the practice has now been extended to wholesale “agency capture.” In this scheme, the federal court system is an object of capture, which is why it should come as no surprise that wealthy businesses and individuals spent millions of dollars to ensure that Donald Trump’s three Supreme Court appointees made it to the bench. The Founding Fathers, Whitehouse writes, “did not intend courts as an anti-majoritarian back door for billionaire anti-government donors frustrated that the public hates their ideology”—but that’s exactly where we are. The author traces the origins of this capture movement to Robert Bork’s unsuccessful Supreme Court bid during the Reagan administration, when conservatives devoted their energies to placing like-minded judges throughout the federal judiciary. One strong instrument of capture came with the Citizens United decision, which declared that corporations had individual rights; one strong instrument to curtail this capture, which Whitehouse has championed, would require disclosure of any campaign contribution of more than $10,000. “No surprise,” he writes, “Republican Senators have blocked it from becoming law.” Yet another instrument of capture is the appointment of individuals to legal positions even though the legal community at large has rated them to be unqualified, without—as in the case of Brett Kavanaugh—minimal due diligence. We don’t know all there is to know about the scheme, Whitehouse concludes in this closely reasoned argument, adding, “I expect history will dig out those sordid details.”
A maddening indictment of a corrupt and corrupted judiciary.Pub Date: Oct. 18, 2022
ISBN: 978-1-62097-738-5
Page Count: 256
Publisher: The New Press
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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New York Times Bestseller
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Walter Isaacson with adapted by Sarah Durand
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