An uplifting story of friendship, kindness, and new ways of seeing.
A buddy bench brings three disparate kids together.
April Boxler is observant and helpful, but she doesn’t consider herself to be very social. When she has a falling-out with her only friend on the first day of sixth grade at Marshallville Elementary School, April chooses to be a buddy bench volunteer primarily to avoid her classmates. On her second day as volunteer, April spots Joey Byrd, a fourth grader who lies so still on the woodchip playground that he looks like he might be dead. Joey also walks in circles, lies down in the middle of things, and spends all recess alone. When April expresses her concerns about Joey, both her mother and the school counselor are dismissive. As the weeks proceed, April and her buddy bench co-volunteer, fifth grader Parveena—“Veena” for short—come to realize (with the help of the school janitor, Mr. Ulysses) that Joey is in fact making art on the playground. Pearsall’s characters are authentic and well rounded; the story is largely narrated by April in the first person, although the sections titled “JOEYBIRD,” which are accompanied by Jin’s pencil illustrations, give readers a glimpse into Joey’s mind. Almost all the characters, with the exception of Veena, who is from India, seem to be white.
An uplifting story of friendship, kindness, and new ways of seeing. (Fiction. 8-12)Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-1739-1
Page Count: 272
Publisher: Knopf
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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