edited by Shelly Oria ‧ RELEASE DATE: May 24, 2022
A clarion call for reproductive rights.
A resonant collection that champions reproductive freedoms in the face of widespread opposition.
Editor Oria, whose previous collection, Indelible in the Hippocampus, gathered writings on the #MeToo movement, compiles another mixed-media powerhouse. Fiction, memoir, poetry, plays, and art elevate this collection into a technical triumph, finely pairing a range of forms with its contributors’ intersectional experiences. Effortlessly diverse, the book reminds readers that reproductive rights are more than a stance on abortion; many pieces explore the choice of childlessness, while others recount the horrors of nonconsensual sterilization. These brave stories are devastating to read and will inspire action (the book is produced in collaboration with the Brigid Alliance, a pro-choice fund that offers travel support for women in need). The fiction leans toward realism—e.g., the expecting lesbians in Kristen Arnett’s “The Babies” or the baby-crazy and terminally ill husband in Alison Espach’s “Let’s Just Be Normal and Have a Baby.” The nonfiction unfolds similarly but lands with a haunting, real-life gravity. Riva Lehrer’s “Curse of the Spider Woman,” which details her struggles with spina bifida and the nonconsensual sterilization she endured after a medical emergency, is one of the most affecting contributions. Beautiful, accessible poems are woven throughout, but the plays often feel trite by comparison, and a comic about White privilege is consumed by its own aggressive wokeness and lacks the heart that makes the other contributions so successful. Central to the collection is an exchange between Oria and her friend, where their discussion was overshadowed by the pandemic and the current toxic political climate. “As we continue our cultural conversation on reproductive health,” Oria writes in her introduction, “...my hope is that we fight the terrible symptom while keeping in mind the larger illness that produces it, a system in which certain bodies hold inherent power over other bodies.” Other contributors include Deb Olin Unferth, Tommy Orange, Tiphanie Yanique, and Kirstin Valdez Quade.
A clarion call for reproductive rights.Pub Date: May 24, 2022
ISBN: 978-1-952119-21-7
Page Count: 428
Publisher: McSweeney’s
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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by Shelly Oria
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
by Ta-Nehisi Coates ‧ RELEASE DATE: Oct. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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