A fraught subject, handled with gravitas and, improbably, grace.
A family moves to Costa Rica to heal from a kidnapping.
At age 11, Caleb Vincent was abducted and imprisoned in a basement, then starved and trafficked by a ring of pedophiles. Discovered by the FBI living with a man nicknamed Jolly, Caleb, 14, is brought home from Washington state to his parents in Atlanta. Marlene, his mother, never lost hope for Caleb’s return, but his father, Jeff, had at one point given him up for dead. To escape her shaky marriage and the intrusive media that hounds the family day and night, Marlene moves herself, Caleb and 11-year old daughter, Lark, to Costa Rica to live in the cloud forest at a ramshackle hotel owned by Jeff’s mother, Hilda. As the narration dips in and out of Caleb’s head, the reader only gradually learns what happened to him during his disappearance. Jolly, it emerges, is a doctor who rescued Caleb from the pedophiles and took a paternal as well as sexual interest in him. The paternal won out when Jolly encouraged Caleb to attend school, thus facilitating another rescue, this time by authorities. So ambivalent is Caleb about his feelings for Jolly that he refuses to cooperate with the FBI’s prosecution of him (the original kidnappers are still at large) and cannot resist making contact with Jolly from Costa Rica. Meanwhile, other sexually charged scenarios play out: Marlene rekindles an old romance with her husband’s brother, Lowell, and Caleb dates a local girl, Isabel, while not so secretly yearning for her transvestite cousin, Luis. Joseph approaches this explosive material with circumspection, perhaps excessively: So much time is devoted to atmospheric but aimless descriptions of Costa Rican scenery, flora and fauna that at times the travelogue overwhelms the plot, which unfolds at a leisurely, tropical pace. However, Joseph’s preoccupations are less with plot than with honestly confronting the internal conflicts that can arise in reaction to unspeakable crimes.
A fraught subject, handled with gravitas and, improbably, grace.Pub Date: April 16, 2013
ISBN: 978-1-250-01285-2
Page Count: 336
Publisher: Dunne/St. Martin's
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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