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GOODNIGHT, GOODNIGHT CONSTRUCTION SITE

From the Construction Site series

Who cares? The equation of trucks + bedtime book = best-seller, even if it does set feminism back a few decades.

A group of construction vehicles put themselves to bed.

Rhyming couplets set the scene (“The sun has set, the work is done; / It’s time for trucks to end their fun”) and then describe their bedtime routines, truck by truck. The crane sets one last beam before settling in, a star-shaped nightlight suspended from his lowered mast and a teddy bear clutched in his stabilizing arms. The cement mixer is hosed down before giving into slumber beneath a much-too-small polka-dot blanket. The dump truck deposits one last load before conking out next to heaps of rubble. As depicted by Lichtenheld, the trucks all have googly windshield eyes and grins that more or less correspond to grilles. They look a lot like Disney Pixar’s Cars, but there are only so many ways to anthropomorphize a truck. He exerts his artistry in other ways; the dump truck’s snores, depicted as a rising stream of ever larger Z’s, float into the night, becoming part of the steel framework of the building under construction. Rinker’s verse does not always scan well, but it is rhythmic enough to carry readers along. It is a real shame that not a single one of these muscular vehicles is female; this employer is clearly not interested in equal opportunity.

Who cares? The equation of trucks + bedtime book = best-seller, even if it does set feminism back a few decades. (Picture book. 2-6)

Pub Date: May 4, 2011

ISBN: 978-0-8118-7782-4

Page Count: 32

Publisher: Chronicle Books

Review Posted Online: March 14, 2014

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I'LL LOVE YOU FOREVER

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender...

A polar-bear parent speaks poetically of love for a child.

A genderless adult and cub travel through the landscapes of an arctic year. Each of the softly rendered double-page paintings has a very different feel and color palette as the pair go through the seasons, walking through wintry ice and snow and green summer meadows, cavorting in the blue ocean, watching whales, and playing beside musk oxen. The rhymes of the four-line stanzas are not forced, as is the case too often in picture books of this type: “When cold, winter winds / blow the leaves far and wide, / You’ll cross the great icebergs / with me by your side.” On a dark, snowy night, the loving parent says: “But for now, cuddle close / while the stars softly shine. // I’ll always be yours, / and you’ll always be mine.” As the last illustration shows the pair curled up for sleep, young listeners will be lulled to sweet dreams by the calm tenor of the pictures and the words. While far from original, this timeless theme is always in demand, and the combination of delightful illustrations and poetry that scans well make this a good choice for early-childhood classrooms, public libraries, and one-on-one home read-alouds.

Parent-child love and affection, appealingly presented, with the added attraction of the seasonal content and lack of gender restrictions. (Picture book. 3-6)

Pub Date: Sept. 1, 2017

ISBN: 978-1-68010-070-9

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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IN A GARDEN

Like its subject: full of bustling life yet peaceful.

Life buzzes in a community garden.

Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.

Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)

Pub Date: Feb. 18, 2020

ISBN: 978-1-5344-1797-7

Page Count: 48

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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