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LETTERS FROM THE MOUNTAIN

In a clumsy take on a well-used premise (see also the review of Winifred Morris's Liar, below), an at-risk city teenager is sent to his country relatives for attitude correction. To get Taylor away from bad friends, his mother dispatches him to the mountain home of his great-aunt and great-uncle near tiny Pandora, Texas. Although he carries a switchblade and shoplifts, Taylor makes an unconvincing juvie-in-training; despite failing English, he sends off long, glib letters to his friends—and vicious hate mail to his mother—describing how stupid and boring everything is, meanwhile pitching in with a will at the local grist mill and general store. He spends most of his wages on gifts for the children of an abusive, itinerant ``post-cutter'' and tree-poacher, teaching them to read in exchange for shooting lessons from the eldest of them, Jesse Lee. In a lachrymose climax, Taylor's mother shows up and confesses that she shot his father in a hunting accident, and Taylor owns up to a prank that left its victim in a coma. Garland (Cabin 102, 1995, etc.) only outlines the ending: Taylor is sentenced to a term of community service in a teen literacy center, spends his spare time at his victim's bedside, and gets an uplifting letter from Jesse Lee. An intriguing supporting cast goes to waste in a weak, uneven story. (Fiction. 11-13)

Pub Date: Oct. 1, 1996

ISBN: 0-15-200661-3

Page Count: 211

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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GUTS

THE TRUE STORIES BEHIND HATCHET AND THE BRIAN BOOKS

Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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