Next book

THE DOCTORS’ PLAGUE

GERMS, CHILDBED FEVER, AND THE STRANGE STORY OF IGNAC SEMMELWEIS

A revealing account of a time, a place, and an unfortunate individual depicted here as his own worst enemy.

In the first of Norton’s New Discoveries series on scientific breakthroughs, NBA-winner Nuland (How We Die, 1994, etc.) puts into proper historical context the achievements of a pioneering obstetrician.

The author has turned his considerable narrative talents to a signal moment in the history of medicine. Nuland (Surgery/Yale School of Medicine) opens with the dramatic account of a young woman’s death after delivering her first child at a hospital in mid-19th-century Vienna. He then turns to the cause of her death, childbed fever, vividly showing its horrific effects on the body and detailing several erroneous, now laughable theories doctors had come up with to explain its origin. Enter Ignac Semmelweis, an outsider from Hungary with a poor accent who had turned to obstetrics after failing to win appointment to his first- and second-choice positions at the hospital. A trained observer, Semmelweis analyzed obstetric procedures and claimed that childbed fever was caused by the transfer of invisible “putrid cadaver particles” from the hands of students and attending physicians. To prevent the disease, he insisted that every medical attendant wash in a chloride solution before examining a woman in labor. Nuland provides enough medical history to show how Semmelweis’s 1847 accomplishment reflected the revolutionary teachings in scientific logic then being introduced by the hospital’s chief of surgical pathology and how these were opposed by the old guard. When Semmelweis was refused reappointment to his position, he fled Vienna for his native Buda-Pest, having failed to perform experiments substantiating his claim, to make use of the microscope, or even to explain his work in a medical journal. He left support of his theory to others, though in 1861 he published a confused, angry, and essentially unreadable defense of his ideas that was largely ignored or rejected. Dementia preceded his death a few years later.

A revealing account of a time, a place, and an unfortunate individual depicted here as his own worst enemy.

Pub Date: Oct. 13, 2003

ISBN: 0-393-05299-0

Page Count: 160

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2003

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview