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FRENEMIES

From the Ask Emma series , Vol. 2

A vanilla-flavored depiction of middle school for kids who aren’t there yet.

Exuberant Emma, back after series opener Ask Emma (2018), is determined to be one of her middle school’s representatives to the National Student Congress.

But first, she has to prove to her principal that she can keep her (strong) opinions to herself for a full 48 hours, not easy for a person who thrives on dishing out advice. Although Emma manages to succeed—barely—in the process she alienates her two best friends by not taking sides to settle an argument and then posting an ill-conceived message about them on her popular blog. The girls retaliate by immediately beginning to exclude her from their three-way friendship. Some pithy advice from her mom helps Emma regroup and restore the peace, and she’s off to the stress-filled Student Congress in D.C., where she and her favorite boy, Jackson, must debate in front of a huge crowd. Her spontaneity and enthusiasm prove essential, of course. The white-default young teens model lots of problem-solving skills as they navigate common if rather trivial issues of their age group. Characters suffer from a lack of depth, overreacting to minor provocations but then being just as easily placated by equally minor interventions, reducing most of the conflict to insignificance. A long chapter of advice on how to start a mother-daughter book club follows the tale.

A vanilla-flavored depiction of middle school for kids who aren’t there yet. (Fiction. 9-11)

Pub Date: Jan. 29, 2019

ISBN: 978-1-4998-0648-9

Page Count: 224

Publisher: Yellow Jacket

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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