Fans of the first effort—and young bakers—will likely enjoy another outing, but it’s nothing more than an average early...
Kylie and her friends, introduced in Peace, Love and Cupcakes (2012), are back for another bakefest.
Founders of a successful cupcake-baking club they call “Peace, Love and Cupcakes,” the girls are now entering fifth grade and have been separated for the summer. Lexi, the focus of this installment, spent part of the summer with her quirky aunt in New York City, but she experiences some jealousy as her friends come back with stories of their own summer adventures. After school starts, she’s attracted to Jeremy, with whom she’s been partnered in the school production of Romeo and Juliet. This makes for some uncomfortable moments as she, with her friends egging her on, searches for a way to let him know she likes him. Meanwhile, the girls are baking at-times vast quantities of cupcakes to fill commercial orders. One weekend they need to come up with 3,500 cupcakes, baked and decorated, which they—remarkably—do! The entrepreneurial aspects of the club seem far beyond the capabilities of a few grade schoolers, however motivated. While most of the interactions and situations (except the baking, and the Shakespeare is a stretch) are typical of the age, there’s nothing terrifically compelling going on here. Appended recipes add an amusing, probably yummy, dimension.
Fans of the first effort—and young bakers—will likely enjoy another outing, but it’s nothing more than an average early chapter book in a crowded field. (Fiction. 8-11)Pub Date: Oct. 1, 2012
ISBN: 978-1-4022-6452-8
Page Count: 192
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 28, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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