A child with a free-wheeling imagination reveals the real purposes of gross or unconscious habits.
As the child explains to a skeptical mother in Yoshitake’s simply drawn cartoon scenes, it’s all perfectly reasonable: Nose pickers are actually pushing a nasal button that releases “cheerful beams” that put everyone in a better mood; biting nails creates an inaudible sound that drives crows away from the trash bags piled outside; blowing bubbles with a straw sends a signal that “There’s a lot going on, but I’m still okay.” Similarly, fidgeting is the fault of an ill-tempered chair, a “Dash Bug” is to blame whenever the protagonist runs down a hall, and dancing around naked after a bath is just training for when evil, clothes-stealing aliens invade school. Nonetheless, a mild parental request to “try to be a little more mindful of having good manners” is received with equanimity—and the cogent observation that children aren’t the only ones who exhibit such behaviors. The matching serious expressions on the faces of the two figures crank the drollery up an extra notch. Both the child and the mother have skin the white of the page. (This book was reviewed digitally.)
An easy pick.
(Picture book. 5-8)