A soothing tale of a tree that helps transform a community.
Dani forms a bond with the sole tree that is planted in their urban neighborhood.
“In front of Dani’s building was a hole. Sometimes dusty, sometimes puddly. And sometimes wild with bits of green.” A double-page spread, mostly in muted pastels, shows a foliage-free urban setting of adjoined buildings. But soon a truck pulls up, and two people plant a tree in that hole. For brown-skinned Dani, the tree is a source of joy—when birds arrive, the child is woken by their beautiful songs instead of truck noises. The tree helps predict the weather, protects Dani from “noise and grime,” and even offers friendship as the protagonist confides in it. Quiet, lyrical text describes the ways that typical urban sights and sounds change with the arrival of the tree; this is a good introduction to the concept of greening city streets for the youngest children. The text pointedly makes this tree more “special” to Dani than the more “magnificent” trees in the park. Depicting small details of lives lived inside and outside the apartments, the vibrant illustrations invite lengthy examination. The ending double-page spreads are a delightful combination of metaphors and vivid art as each season the tree continues to make the neighborhood a joyful place to live. Tranquil and calming, this is an ideal bedtime read. (This book was reviewed digitally.)
A soothing tale of a tree that helps transform a community. (information on street trees, resources) (Picture book. 3-6)Pub Date: April 4, 2023
ISBN: 9780358423416
Page Count: 40
Publisher: Clarion/HarperCollins
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
PERSPECTIVES
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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