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CONCUSSION IS BRAIN INJURY

TREATING THE NEURONS AND ME

Perhaps overly expository for casual readers, but the intricate details of the author’s experience are riveting and...

A brush with a life-threatening accident spurs a writer to investigate the “hidden epidemic” of debilitating brain trauma.

In this revised version of her original 2012 publication, Canadian novelist and biographer Jeejeebhoy (Aban’s Accension, 2013, etc.) enhances the text with expanded personal detail, creating an immersive, multifaceted memoir. The author had studied neurophysiology as part of her collegiate curriculum at the University of Toronto, so she was well-versed in the consequences of brain injuries when she was involved in a major car collision in 2000. Before the accident, Jeejeebhoy was completing the manuscript for her debut biography, and her injuries put that project—and much more—on indefinite hold. These included apparent sprains and nerve problems, but investigation into nagging, chronic migraines and dizzy spells resulted in a diagnosis of mild traumatic brain injury. This led to months of experimental drug treatments with a two-year duration: either the therapies would work by then, or Jeejeebhoy would likely have to endure her maladies forever. The author painfully describes the toll that her injuries took on her relationship with her husband, Mistral; her panic at losing the ability to read; and other cognitive impairments. Desperate to return to her normal life, she became intensely motivated to find a reason and resolution for her injury through determined research and treatment alternatives. Jeejeebhoy’s harrowing journey takes on new characteristics when she weaves comprehensive clinical information into her recollections. She also effectively dispels the myth that a concussion is a mild affliction and shows that secondary symptoms, such as anger and fatigue, can indeed endure for many years. She’s uniformly candid when writing about a year of devastating setbacks, which she says felt like “a massive plough that trenches through your established networks.” Toward the end of the book, she delves even deeper into the scientific neuropathological data of her treatment plan and further developments of her “labyrinthine recovery.”

Perhaps overly expository for casual readers, but the intricate details of the author’s experience are riveting and enlightening.

Pub Date: Oct. 17, 2017

ISBN: 978-0-9919698-6-9

Page Count: 484

Publisher: CreateSpace

Review Posted Online: Nov. 9, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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