ENCHANTMENT IN THE GARDEN

A storybook with echoes of Frances Hodgson Burnett—absentee parents, a lonely girl, an orphan who blossoms while working in a garden, children who meet clandestinely, away from the governess's eyes—from Hughes, who illustrated an edition of The Secret Garden: all the elements of an old-fashioned read, but precious and out-of-date. This lengthy fantasy is set in Italy in the early part of this century, where Valerie is guarded by her governess. Her father tends the hotels and restaurants he owns; her mother lives for parties. After Valerie communes with a statue of a boy on a dolphin, the boy comes to life, taking the name Cherubino and revealing himself to be the son of a sea god. Disgusted by the conditions of the seaside, Cherubino leaves to take his place as a god of the sea, but he and Valerie are certain they will meet again. Hughes's illustrations of Italian architecture and landscapes are delightful, but children may not be engrossed by the travelogue-style descriptions: ``a great, white palace set among palm trees and lush foliage, its domes and pinnacles melting into the blue haze.'' An obvious labor of love, the story has so many disparate components—Valerie's solitude, Cherubino as a stranger to be shunned, an ecological message about the cluttered seaside, romance, enchantment—that readers can't settle into it, or even believe in the connection between the two children. (Fiction. 5-8)