A sweet celebration of familial love.
Young Ruby and her mother have survived the London Blitz together; now Ruby must adjust to the return of her father.
The first double-page spread situates readers emphatically: “1945 WORLD WAR II WAS OVER!” The text goes on to explain that men are now cleaning up rubble from bombed houses near Ruby and her mum’s home. The duo is seen walking along in front of tall, chain-link fencing, behind which are ruined buildings and busy men in construction garb. The text skillfully incorporates concepts such as “Blitz,” “air-raid shelter,” and “extended leave” into Ruby’s personal story. Young readers will easily empathize with both Ruby’s shyness when her long-absent father returns and her understated resentment of her father’s sudden, large presence in the home that had been only hers and her mum’s for so long. Ruby’s understanding mum allows her to explore outside with neighbor friends. An age-appropriate crisis ensues, creating a heartwarming ending to a sweet tale. Ruby, her family, and other primary characters are white, while large spreads include some people of color. The clothes and environmental details in the illustrations perfectly complement the text, as do the loose character drawings in the artist’s signature style, with the judicious addition of bright colors that pop against the postwar gray and sepia. Endpapers with apparently authentic wartime ads are a nice finishing touch.
A sweet celebration of familial love. (Picture book. 4-8)Pub Date: May 8, 2018
ISBN: 978-0-7636-9237-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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