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LET ME TELL YOU

NEW STORIES, ESSAYS, AND OTHER WRITINGS

There’s an old-fashioned feel to Jackson’s language and setups, but her stories never fail to deliver. For fans of...

Unpublished and uncollected work by the celebrated author of The Haunting of Hill House (1959) and other neo-Gothic chillers.

It’s fitting that this gathering by Jackson, who died half a century ago, should open with a perfectly crafted little story called “Paranoia.” Unfolding with the to-the-second pacing of a Twilight Zone episode, it finds a seemingly blameless fellow being pursued on a crosstown bus, into shops, and down city streets by an affectless fellow in a “light hat.” He’d like to tell the cops—but what is there to tell, apart from the fact that someone seems to be tailing him? Good thing his wife is waiting for him at home, but….Best known for her short story “The Lottery,” Jackson had a knack for finding the sinister in the ordinary; when presented with creepier props, she could really go to town, as when, in an early story, a young child threatens to steal away a doll belonging to a mild-mannered spinster of a schoolteacher, “a limp thing, with a gourd for a head and a scrap of red silk for a dress.” If you ever needed an explanation for why poltergeists always find their ways into homes with children, there it is. Even the pieces classified as domestic humor have an arch edge, as with one story that finds a mother wondering who left a hose out to freeze: “Not that the question is of the slightest importance, anyway. What’s important is to get it thawed out and put away. Let the dead past bury its dead, I firmly believe.” That’s a lot of portent for a stretch of rubber—and when Jackson gets to the frying pan and the scissors, things get dicier still. The volume closes with Jackson’s reflections on her work, in which she recounts dreams of closed gates and secretive conversations, nicely bracketing that paranoiac exercise that begins the book.

There’s an old-fashioned feel to Jackson’s language and setups, but her stories never fail to deliver. For fans of midcentury suspense, it doesn’t get much better than this.

Pub Date: July 28, 2015

ISBN: 978-0-8129-9766-8

Page Count: 432

Publisher: Random House

Review Posted Online: April 27, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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