Investigates interesting historical moments but without much depth.
Two girls, separated by the Pacific Ocean, witness World War II from their respective small towns.
Fourteen-year-old Nellie Doud, a White American in Bly, Oregon, worries about her father, away in the war; her mother, who hasn’t been the same since he left; and her once best friend, whose brother died in combat. Meanwhile, 14-year-old Tamiko Nakaoka, an orphaned Japanese girl, lives with disability due to polio. As the war drags on, she struggles to find food for herself; her older brother, Kyo; and their Auntie. Eager to help both the war effort and their family, Kyo joins the army, and Tamiko and her friend go to a nearby city to make paper balloons for the military. Though the work and housing conditions are poor, she is proud to do something for her country—anything to make the war end sooner. But Tamiko’s balloons are bombs, some bound for Oregon. Soon both girls question what’s right during wartime, when forgiveness is justified, and when it isn’t. Vernick has made an effort to portray both Nellie and Tamiko sympathetically and with historical accuracy even as both navigate the propaganda and biased news around them. However, the conclusion is more expected than earned, and the characters’ development feels heavy-handed; the manner in which cultural details are added to Tamiko’s chapters is particularly intrusive. Simplicity aside, the overall message about war’s human cost is clear.
Investigates interesting historical moments but without much depth. (historical and research notes, glossary) (Historical fiction. 12-16)Pub Date: June 7, 2022
ISBN: 978-1-94762-752-9
Page Count: 256
Publisher: Cinco Puntos Press
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
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