A gentle novel of high ideals that never quite comes to life.
Covering six decades, Wachtel’s debut novel about the friendship forged by two Polish Jews who survive the Holocaust together evolves into a story about surviving the many guises of loss.
In 1944 Poland, Jacob Stein, 18, and Zalman Mendelson, 12, meet while hiding from the Nazis in a hay barn. They remain together—Zalman sharing his family’s tragic history, Jacob unable to talk about his past—until the war ends and they emigrate together to America. While Zalman farms in Minnesota, Jacob stays in New York City, where he marries Esther and takes over her job, one she secretly loved, managing her father’s business. Once financially secure, Jacob hires Zalman, whose father trained him in architecture and whose career in Minnesota has conveniently been cut short by an arm injury, to design the dream home Jacob has always fantasized building. Zalman moves into the finished house with Jacob and Esther in a supposedly temporary arrangement that lasts for years. The reader senses early danger signs of the romantic triangle that entangles the three for the rest of their lives. Esther grows dependent on Zalman for platonic companionship as Jacob becomes increasingly introverted. The birth and raising of their son renews Esther and Jacob’s marriage. But then tragedy strikes, causing decades of guilt, grief, and missed connections, almost always handled by those affected with fortitude and reticence. Except for the stereotypical portrayal of some poor White Southerners as cretins, Wachtel writes with a surfeit of affection for her characters, constantly (over-) emphasizing their well-meaning goodness. Although the last scene occurs in 2010 and Wachtel pointedly uses details like home decor and dress styles to demarcate the changing decades, the outside world remains a cardboard backdrop. Ultimately the novel’s focus shifts from the characters to the house that has bound and divided them, repository of their hopes, regrets, and memories.
A gentle novel of high ideals that never quite comes to life.Pub Date: Jan. 1, 2023
ISBN: 978-1-6625-0874-5
Page Count: 288
Publisher: Little A
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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