A CASTLE IN BROOKLYN

Covering six decades, Wachtel’s debut novel about the friendship forged by two Polish Jews who survive the Holocaust together evolves into a story about surviving the many guises of loss.

In 1944 Poland, Jacob Stein, 18, and Zalman Mendelson, 12, meet while hiding from the Nazis in a hay barn. They remain together—Zalman sharing his family’s tragic history, Jacob unable to talk about his past—until the war ends and they emigrate together to America. While Zalman farms in Minnesota, Jacob stays in New York City, where he marries Esther and takes over her job, one she secretly loved, managing her father’s business. Once financially secure, Jacob hires Zalman, whose father trained him in architecture and whose career in Minnesota has conveniently been cut short by an arm injury, to design the dream home Jacob has always fantasized building. Zalman moves into the finished house with Jacob and Esther in a supposedly temporary arrangement that lasts for years. The reader senses early danger signs of the romantic triangle that entangles the three for the rest of their lives. Esther grows dependent on Zalman for platonic companionship as Jacob becomes increasingly introverted. The birth and raising of their son renews Esther and Jacob’s marriage. But then tragedy strikes, causing decades of guilt, grief, and missed connections, almost always handled by those affected with fortitude and reticence. Except for the stereotypical portrayal of some poor White Southerners as cretins, Wachtel writes with a surfeit of affection for her characters, constantly (over-) emphasizing their well-meaning goodness. Although the last scene occurs in 2010 and Wachtel pointedly uses details like home decor and dress styles to demarcate the changing decades, the outside world remains a cardboard backdrop. Ultimately the novel’s focus shifts from the characters to the house that has bound and divided them, repository of their hopes, regrets, and memories.

A gentle novel of high ideals that never quite comes to life.