An incisive study of a friendship’s unbreakable bond.
Two friends and talented weavers navigate poverty, abuse, and the relentless pressure to find suitable husbands in contemporary South India.
In Indravalli, a village that sits along the banks of the Krishna River, 16-year-old Poornima, which means full moon in Telugu, and 17-year-old Savitha, which means sun, cross paths when Poornima’s father hires Savitha to help him meet the demand for new cotton saris. Savitha is industrious at the spinning wheel, or charkha, and weaving with Poornima is respite from searching garbage dumps for metal and plastic to sell to support her family. Mourning the recent death of her mother from cancer, Poornima finds in Savitha a mother figure, a gifted storyteller, and, as marriage looms, a confidante for her to express her fears that the man she’s been arranged to marry is not what he seems. Though 12-hour days of weaving bind Poornima and Savitha together, a horrific crime tears them apart. Out in the world alone, with no knowledge of each other’s whereabouts, they must find a way to maneuver the cruelties lobbed at women with no education and little money in both India and the United States. In this, her debut novel, Rao (An Unrestored Woman, 2016) has written an enchanting tale that alternates between Poornima's and Savitha’s points of view. The book’s earlier quiet and contemplative moments give way to the girls’ intricately devised plans to escape their brutal circumstances, and an indefatigable courage fuels their dreams for a reunion. The resplendent prose captures the nuances and intensity of two best friends on the brink of an uncertain and precarious adulthood. “She made even the smallest of life seem grand, and for Poornima, who had always ached for something more…watching Savitha, watching her delight, was like cultivating her own.”
An incisive study of a friendship’s unbreakable bond.Pub Date: March 6, 2018
ISBN: 978-1-250-07425-6
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: Dec. 6, 2017
Kirkus Reviews Issue: Jan. 1, 2018
BOOK REVIEW
PROFILES
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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