ROUGE STREET

These three novellas are a magical and gritty tour through life in Shenyang’s Yanfen Street shantytown, set against the backdrop of Mao’s China.

Shifting continuously among the perspectives of multiple characters and sometimes reaching across generations, Shuang blurs the boundaries among memory, imagination, and historical events. In the first novella, The Aeronaut, flashily dressed Li Mingqi courts the daughter of his father’s former mentor at a Communist leaflet printing firm, who still resents his one-time apprentice for outshining him. Mingqi’s visit sets off a series of events that force him to reckon with his father’s death and its rippling effects on the family. The narrator of the second novella, Bright Hall, is a young man still suffering from his mother’s abandonment when he was a boy. When he and his cousin Gooseberry, a dancer, chase down the suspect in the murder of an illegal preacher, their escapade leads them onto a frozen lake and into a dreamlike interrogation with a monster fish of biblical proportions. The final novella, Moses on the Plain, follows the aftermath of a string of taxi robberies and the people who are intertwined with them, including a young girl who has a fascination with fire and whose family falls into ever more dire financial circumstances. Shuang reaches the height of his literary powers when magical realism breaks through into the everyday lives of the characters, revealing the emotional and political stakes of their actions and desires. Patient and attentive readers willing to follow Shuang through the twists and turns of the characters’ shifting narratives will be rewarded with a surreal portrait of how history is made and remembered—expanding and contracting like an Escher cityscape.

An ambitious portrait of the struggle to thrive in the Chinese equivalent of the “American Wild West.”