by Shugri Said Salh ‧ RELEASE DATE: Aug. 3, 2021
A thoughtful look at life in an often misunderstood culture and region.
Salh offers a cleareyed and moving chronicle of her coming-of-age during a tumultuous time in the history of her native Somalia.
The title of this debut memoir refers to how the author is the last in her family line to follow the nomadic lifestyle: “All of my ancestors on both sides of my family were nomads; they traveled the East African desert in search of grazing land for their livestock, and the most precious resource of all—water.” Salh grew up as the daughter of a cerebral father who was “dissatisfied with the life he had been born into” and his headstrong, vibrant wife. Before entering first grade in the city, she was sent to live with her grandmother in order to provide the older woman with support as she and the rest of their tribe herded goats in the desert. The transition from being a schoolgirl to a young goatherd was rough, especially as she wondered why she was the only one of her siblings to be sent away and denied schooling. But Salh appreciated certain aspects of nomadic culture, particularly their respect for and reliance on each other. The strongest passages feature the author’s vivid recollections of nomadic life—e.g., chasing wild animals, learning to make yogurt and butter, and observing how the adults built and dismantled their portable huts—while the legacy of violence caused by Somalia’s devastating civil war loom throughout. She writes straightforwardly about how she underwent a ritualistic female circumcision and how the intense policing of her virginity continually overwhelmed her. The war eventually led Salh and many of her siblings to flee to Canada as refugees. Some of the book’s lighter moments occur when the author recalls the cultural differences she faced as she tried to adjust to life in North America, as well as her reflections on her own motherhood in her current home of Sonoma, California.
A thoughtful look at life in an often misunderstood culture and region.Pub Date: Aug. 3, 2021
ISBN: 978-1-64375-067-5
Page Count: 352
Publisher: Algonquin
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: July 1, 2021
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
by Melania Trump ‧ RELEASE DATE: Oct. 8, 2024
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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