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WHERE DO I END AND YOU BEGIN?

Name: WHERE DO I END AND YOU BEGIN?
Author: Shulamith Oppenheim
ISBN: 978-1-56846-274-5

by Shulamith Oppenheim ; illustrated by Monique Felix ‧ RELEASE DATE: Oct. 1, 2015

An elegant conversation starter to a not-so-simple question.

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From animals to plants, sky to sea, people to people, we’re all connected.

In rhythmic text that flows from one page to the next, Oppenheim asks the titular question, “Where do I end and you begin?” The question is repeated from cat to tail to shell to snail; from branch to tree to sky to sea; from smell to flower to rose to bower; from jump to rope to hill to slope. Emphasizing and extending the simple text, the illustrations also flow from one page to the next, starting with the jacket cover, on which both title and a cat begin on the outside and end on the inside jacket flaps. In warm and luminous watercolors that stand out from the white background, Felix goes beyond the text to add details that invite careful readers to look and then look again. Does the cat on the cover make several appearances? Are the children on the branch a foreshadowing of the children at the end? How many more connections can be made? Between the smell and the flower, Felix adds a bear and honey, for example. And see how a hill becomes a camel. It all ends with a hug.

An elegant conversation starter to a not-so-simple question. (Picture book. 5-8)

Pub Date: Oct. 1, 2015

ISBN: 978-1-56846-274-5

Page Count: 32

Publisher: Creative Editions/Creative Company

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

Categories:

CHILDREN'S SCIENCE & TECHNOLOGY | CHILDREN'S POETRY

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THE SEA KING
by Jane Yolen & Shulamith Oppenheim & illustrated by Stefan Czernecki

- BOOK REVIEW
THE HUNDREDTH NAME
by Shulamith Oppenheim & illustrated by Michael Hays

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THE WATER PRINCESS

by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

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An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
I AM WE
by Susan Verde ; illustrated by Peter H. Reynolds

- BOOK REVIEW
ARE YOU LISTENING?
by Susan Verde ; illustrated by Juliana Perdomo

- BOOK REVIEW
WHO I AM
by Susan Verde ; illustrated by Peter H. Reynolds

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ROBOBABY

by David Wiesner ; illustrated by David Wiesner ‧ RELEASE DATE: Sept. 1, 2020

A retro-futuristic romp, literally and figuratively screwy.

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Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.

Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)

A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)