Japanese writer Endo (The Final Martyrs, 1994, etc.) continues his exploration of faith and anomie—in a deceptively simple and well-told story of spiritual inquiry that movingly explores all the big questions. The opening pages briefly introduce four people who will shortly, for varying reasons, join a Japanese tour-group travelling to India: Isobe, a businessman whose deceased wife, believing she would ``be reborn somewhere in this world,'' made him promise he would look for her; Mitsuko, a volunteer at the dead woman's hospital, who is troubled by her own past and her obsession with a former classmate; retired industrialist Kiguchi, still haunted by wartime memories of Burma's notorious Highway of Death; and Numanda, a gentle writer of children's books who wants to repay his debt to the bird that saved his life when he was desperately ill. The book investigates the role religion plays in contemporary Japan, where relatives attending a funeral politely question the Buddhist priest conducting the service, while ``not one of them really believed anything the priest was saying.'' As the trip gets under way, more disquiets are explored: Isobe can't forget how he ignored his wife when she was alive; Mitsuko hungers for love but can't abandon her cynicism; Kiguchi recalls a fellow veteran who saved his life by eating human flesh but then drank himself to death trying to forget what he had done; and Numanda muses on the central role nature has played in his life. The four finally experience their epiphanies on the banks of the Ganges at Varanasi, where the old and afflicted come to die and the faithful immerse themselves in the river. In this richly detailed setting, Endo offers a faith that, using the river as metaphor, comfortingly blends all the great religions together. Conflicts a bit too neatly resolved, but saved from mawkishness by strong and original characters.
Pub Date: April 1, 1995
ISBN: 0-8112-1289-0
Page Count: 224
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1995
BOOK REVIEW
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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