A lively, well-drawn rendering of Guevara’s eventful life—not out of place in a fashionista’s handbag, but worthy of a more...
Revolutionary icon Ernesto “Che” Guevara becomes a graphic hero in Jacobson and Colón’s latest (After 9/11: America’s War on Terror, 2008, etc.).
Che has long since been appropriated as graphic icon, festooning T-shirts and posters around the world, thanks to his handsome look and jaunty beret. Odds are that most Che-sporting hipsters have only the vaguest idea of just who is accessorizing their look, however. Here Jacobson and Colón, a top-drawer writing and art team, perform a useful service, incorporating material from weighty tomes such as Jon Lee Anderson’s life of Che and technical writings such as Guevara’s own handbook on guerrilla warfare. In a nod to The Motorcycle Diaries, Jacobson and Colón begin with Guevara’s motorcycle journey across southern South America of 1952 and beyond, when Guevara’s eyes were opened to the pernicious effects of U.S. domination of third-world economies (reads one caption, “Though Bolivians ran the mine, to Ernesto the Americans were once again the moving force”). The authors chart Guevara’s growing radicalism and his partnership with Cuban revolutionary Fidel Castro, while providing a surprisingly thorough survey of South American history, a tale of caudillos and exploiters. Throughout, the tone is respectful but not hagiographic, and Jacobson and Colón take pains not to gloss over a signal moment in Guevara’s role in the Cuban revolution: his ordering of the execution of some unknown number of supporters of the previous regime. (Citing Anderson, however, they suggest that no one who was killed was “innocent.”) The narrative continues to embrace the history and aftermath of Che’s storied martyrdom, a term that the closing graphic would seem to suggest.
A lively, well-drawn rendering of Guevara’s eventful life—not out of place in a fashionista’s handbag, but worthy of a more serious audience as well.Pub Date: Nov. 1, 2009
ISBN: 978-0-8090-9492-9
Page Count: 128
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2009
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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