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AN OUTLINE OF THE REPUBLIC

A sophisticated adventure novel, restless to break out, yet comfortably couched in its genre.

Second-novelist Deb (The Point of Return, 2003), an author with great craft and potential, ventures into the militant-controlled territories of northeastern India.

Rummaging through the “morgue” of dead stories at the offices of the Calcutta newspaper where he has worked for the past ten years, reporter Amrit Singh fixes on a terrorist group’s chilling photograph of an abducted porn actress and two of her kidnappers. Hoping to emerge from “the stupor of the past seven years” at his paper and start a new life, Singh parlays the photo into an assignment from a European magazine to find the woman and learn what has become of her. With the long-distance help of Robiul, Singh’s mentor and an expert in the far-flung region of India where these terrorists operate, he works his way from cheap hotel to bus station to guard outpost and beyond, gradually submerging himself in a miasma of broken-down government and ramped-up insurgencies. The milieu, from beginning to end, has the disorder of a developing region plagued by Islamic fundamentalist violence and gang militarism, where one more disappearance is not necessarily big news. The major players are organizations with acronyms like MORLS and SLORC, but it’s the intimacy with the minor players—the aunt of the woman in the photograph, the tea salesman in the next hotel room—that gives this story its power. Deb’s style is straight-up occidental, forgoing the exotic aura of Arundhati Roy’s or Salman Rushdie’s tales. Of a small-time filmmaker in the region Singh says, “Even the barking of the dogs sounded foreign to him as he stumbled along in the cold, still half-asleep from the bus ride, so that the pine trees bleached white by the moonlight seemed like some blurred landscape from his disturbed dreams.”

A sophisticated adventure novel, restless to break out, yet comfortably couched in its genre.

Pub Date: April 15, 2005

ISBN: 0-06-050155-3

Page Count: 336

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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