A sophisticated adventure novel, restless to break out, yet comfortably couched in its genre.
Second-novelist Deb (The Point of Return, 2003), an author with great craft and potential, ventures into the militant-controlled territories of northeastern India.
Rummaging through the “morgue” of dead stories at the offices of the Calcutta newspaper where he has worked for the past ten years, reporter Amrit Singh fixes on a terrorist group’s chilling photograph of an abducted porn actress and two of her kidnappers. Hoping to emerge from “the stupor of the past seven years” at his paper and start a new life, Singh parlays the photo into an assignment from a European magazine to find the woman and learn what has become of her. With the long-distance help of Robiul, Singh’s mentor and an expert in the far-flung region of India where these terrorists operate, he works his way from cheap hotel to bus station to guard outpost and beyond, gradually submerging himself in a miasma of broken-down government and ramped-up insurgencies. The milieu, from beginning to end, has the disorder of a developing region plagued by Islamic fundamentalist violence and gang militarism, where one more disappearance is not necessarily big news. The major players are organizations with acronyms like MORLS and SLORC, but it’s the intimacy with the minor players—the aunt of the woman in the photograph, the tea salesman in the next hotel room—that gives this story its power. Deb’s style is straight-up occidental, forgoing the exotic aura of Arundhati Roy’s or Salman Rushdie’s tales. Of a small-time filmmaker in the region Singh says, “Even the barking of the dogs sounded foreign to him as he stumbled along in the cold, still half-asleep from the bus ride, so that the pine trees bleached white by the moonlight seemed like some blurred landscape from his disturbed dreams.”
A sophisticated adventure novel, restless to break out, yet comfortably couched in its genre.Pub Date: April 15, 2005
ISBN: 0-06-050155-3
Page Count: 336
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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